Music is described by many as a conversation. And like so many of these writings, this one was spawned by a conversation.
I was talking to
my good friend and musical think tank buddy Nick. We were talking about
recordings we’d done a few years ago, which ones we preferred etc. One thing he
said that resonated was that he liked one over the other because it was
recorded live, while the other was recorded in parts (I liked the same one more
because I went through a vintage b-15, but I digress). But as usual Nick was
right. It doesn’t matter what gear, the room, the board, whatever. The goal
when you hit record should be capture a performance, a moment in time. The
recording that we both preferred did that.
We hadn’t practiced those songs as a group. I was on bass, good homie
Trent on drums and Nick on vocals/guitar.
Let me break down
that morning; Go to car, car doors are frozen shut because winter is obnoxious.
After a couple liters of hot water I successfully melt the ice and am good to
go. Until I go to get gas, gas tank door is frozen, scrape that open with my
keys. Now I’m on the road. Black ice, almost plow into a wall, cool. Get to the
studio with the intention of running some of these tunes prior, that doesn’t
happen. Okay, really rusty on the songs. It was Valentines Day weekend, so some
things (bass) were put aside for other things (lady friend). I'm lucky that wisdom and maturity have given me better time management than I had back then.
At the studio I was genuinely concerned I wouldn’t be able to deliver. This is where the performance and conversation comes in. Trent and I always lock in, that’s a by-product of playing with him and us being able to have a musical dialogue like that. We can groove off each other. Trent is one of the best drummers at Albright. Whenever someone needs a drummer I point them in his direction because I know he can deliver. He is fluent in groove, and we’ve played enough shows with little to no practice to understand how to make those musical conversations happen.
At the studio I was genuinely concerned I wouldn’t be able to deliver. This is where the performance and conversation comes in. Trent and I always lock in, that’s a by-product of playing with him and us being able to have a musical dialogue like that. We can groove off each other. Trent is one of the best drummers at Albright. Whenever someone needs a drummer I point them in his direction because I know he can deliver. He is fluent in groove, and we’ve played enough shows with little to no practice to understand how to make those musical conversations happen.
I think what made
those recordings Nicks and my favorites were the performance. It was live, even
though there was no audience, lights or anything like that. There is an understated
originality and freeness to those recordings. I hate to sound like “that”
person right now, but that was huge musical moment for me. Those records represent
a moment in time where three people were on the same page and crushed it. Those recordings really hammer home the importance
of making every note, every line, every performance a conversation. By
communicating and not just playing, even though we had played
together as a group maybe once before this, our sound was better and tighter than I
honestly thought it would be that day. It was a very important lesson for me in
music.
-Mark
-Mark
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